Kishō Hōsōshi

is the current 9th Seat of the of, supervised by Captain Minamoto. The captain recommended and encouraged the division transfer after acknowledging the fact that Kishō had been scarred with the ’s incident; being the reason of its occurrence, and utterly failing to execute their mission. Due to this, Kishō has undergone a complete metaphor and attained fear to use his Zanpakutō, let alone his Shikai. It came to a point that the captain called him in, promising his subordinate to release him from his fear and instead learn to trust his partner-in-hand.

Innate Abilities
High Intelligence:

Advanced Kidō:

Hand-to-Hand Combat Novice:

Advanced Hohō:

Zanjutsu Expert:

Zanpakutō
Hiroseike redirects here. For the manifested spirit of Hiroseike, see Hiroseike (Zanpakutō spirit).

is the name of Kishō’s Zanpakutō, that exists out of two blades; a and a, in its sealed form. In general, the pair seem to appear as regular blades, whilst the guards are simply designed in golden and black. The scabbards are utterly atramentous and barred from engraved designs, yet it is decorated with several deep-golden ropes that have been tied around it.


 * Having learned its name, Kishō has achieved the Shikai status. However, upon doing so, he developed an immense fear for the Zanpakutō (and any blade for that manner), which caused him to lose many comrades. The weakened Kishō (at that time) could not handle the increased power of Hiroseike and lost control over it, which led him to a black-out. Therefore, he is only aware of its name and none of its abilities. Additionally, Kishō has intentionally blocked any communication with the Zanpakutō’s spirit(s) with the fear that it has bestowed on him. And, according to him, he feels that Hiroseike, in general, feels heavier than before. To conclude all of this, Kishō has transitorily lost the unknown Shikai due various reasons: foremost is that he ignores the existence of his Zanpakutō, yet still carries it around with him.


 * Shikai:


 * Shikai Special Ability

Trivia

 * The author uses the image source of Seijūrō Akashi from Kuroko no Basuke for Kishō.